Missionaria Protectiva

        Gilmour approached the guitar, like all great guitarists, not as an instrument with rules but as an object that makes sound. He’s an interesting figure because of how he fits in the great guitar pantheon: where most are enormously gifted technicians who learn to wield their immense and fastidiously acquired talents toward a tone (that holiest of things!), Gilmour is one of the first modern greats to approach the same question from the opposite side. The variables at play are still the same, and Gilmour’s deliberateness when employing technique in service to tone to create the mood and atmosphere that fits the song is just as keen, but he worked with a smaller palette than a typical guitar god. It didn’t (and doesn’t) matter what you wind up doing to the guitar, though, with the guitar, through the guitar, so long as you get a sound that moves you. About Face Harvest,1984 https://www94.zippyshare.com/v/HPnDR7oc/file.html

       O n leaving school, Dave joined the Canterbury-based, semi-pro outfit, the Wilde Flowers. Almost every future member of the early line-ups of Soft Machine and Caravan passed through the ranks of this now legendary band during the two or three years of its existence (1964-67).       When changing musical fashions led to the disbandment of the Wilde Flowers, three members of its final line-up - Scottish-born (but Kent-educated) singer and guitarist Pye Hastings, Canterbury born-and-bred drummer Richard Coughlan and Dave himself - teamed up with another ex-member, Dave's cousin Richard Sinclair, a guitarist and vocalist from a musical Canterbury family who soon showed an extraordinary aptitude for bass guitar. They jettisoned most of the Wilde Flowers cover versions in favour of self-composed originals and called themselves Caravan.       Dave left Caravan in the late summer of 1971, and worked with Matching Mole - he contributed the beautiful ballad, "O Caroline", to

        Best known as John Mellencamp's hard-bashing drummer from 1980 to 1996, Kenny Aronoff is fully capable of banging out flashy fills — let's not forget the tumble that leads into the bridge of "Jack and Diane." But he's equally at home sitting in the pocket and keeping a sturdy beat. With a sixth sense for what makes music pop and the patience to take direction, he's ended up as a go-to studio beatsmith for the Rolling Stones, Bob Dylan, Bruce Springsteen, Neil Diamond, Eric Clapton, John Fogerty, Sting, the Smashing Pumpkins, Lady Gaga and tons more. JOHN COUGAR MELLENCAMP American Fool Riva,1982 https://www.sendspace.com/file/lkw2u4

       Roger Glover has helped shape the sound of Deep Purple and late-period Rainbow as a bassist,songwriter and producer-making key contributions to a series of undeniably classic tracks from 'Woman From Tokyo' to 'Smoke On The Water' to today.      He's best known,of course,for having co-founded Deep Purple in 1969,shifting to the group with frontman Ian Gillan from a precursor band called Episode Six.He would contribute to such timeless album favorites as 'In Rock' and 'Machine Head' before departing in 1973.glover then followed fellow Purple alum Ritchie Blackmore into Rainbow from 1979-84,where he initially performed with current Deep Purple keyboardist Don Airey.Glover has been a part of every Deep Purple lineup since. ROGER GLOVER AND GUESTS The Butterfly Ball And The Grasshopper's Feast Purple,1974 https://www.sendspace.com/file/4zx0jq