Missionaria Protectiva

  BROUGHTONS  Parlez-Vous English?  (Laser,1979) - Psychedelic rock       One of the last things The Edgar Broughton Band did in their heyday wasn't done by The Edgar Broughton Band. Re-formed in 1979 as simply The Broughtons, that incarnation of the band lasted just long enough to make this album.       Parlez-Vous English was originally recorded in 1979 and has a late '60s / early '70s vibe to it - so it probably missed its market by half a decade. And The Edgar Broughton Band was well known for its anti-everything activism and its political positions, which probably added to this record's lack of commercial success. So the fact that Parlez-Vous English isn't on the shelves of every collector of early Brit / Cantebury progressive music is a pity - it's very nicely put together, there's some good musicianship, every song is different from the next, and the whole package is a lot of fun . The humor and the some of the lyrics will be better ...

  AUDIENCE  Friend's Friend's Friend  (Charisma,1970) - Art rock, Progressive rock       Audience's 1970 album 'Friend's Friend's Friend' stands as an underrated prog-psych classic marked by creative freedom and exceptional songwriting. Despite being overshadowed by their next album 'The House on the Hill,' this record showcases a raw, anti-mainstream sound with standout vocals by Howard Werth and inventive wind instruments by Keith Gemmell. The album captures a unique moment of artistic expression without conventional production constraints, delivering memorable tracks like 'Nothing You Do' and 'Raid.' It remains a bright spot in a short but inspiring English band's career. TRACKLIST : Nothing To Do                        Belladonna Moonshine                        It Brings A Tear                 ...

  CITY BOY  Dinner At The Ritz  (Vertigo,1976) - Art rock, Progressive pop       Dinner At The Ritz  is a huge step up from the debut album, released that same year. Not only are there no weak/weaker songs but the album can actually be seen as a minor conceptual masterpiece. I was really not a fan of the funk and reggae explorations on the debut so the absence of these styles is a complete bliss to my ears. The overall sound of the record makes me think of Supertramp around the  Even in the Quietest Moments... -era, released a year after  Dinner At The Ritz . The record is smooth, subtile and featuring that magical sound that can only be found on a '70s studio album. TRACKLIST : Momma's Boy                        Walk On The Water                        Narcissus                  ...

  BIRTHA  Birtha  (Dubhill,1972) - Hard/Blues rock       This is well played hard rock with female voices. The band toured UK with the Kinks and the US with (among others) James Gang, Alice Cooper or Black Oak Arkansas and their own music is from the same mold. If any of those bands appeal to you, then Birtha is really worth to check out. TRACKLIST : Free Spirit                        Fine Talkning Man                        Tuesday                        Feeling Lonely                        She Was Good To Me                        Work On A Dream                        Too Much Woman (For A Hen Pecked...

  KKTR  Kossoff, Kirke, Tetsu, Rabbit  (Island,1972) - Blues rock       Recorded after  Free  disbanded, drummer Kirke elected to remain with guitar player Paul Kossoff forming a quartet with Bundrick and Yamauchi in 1971. Kirke has noted that although initially Kossoff appeared in good spirits and was engaged in making the album, he increasingly indulged in drugs, often falling asleep between takes or while listening to playbacks.       Well received and filled with quality songwriting, Kirke's song "Anna" was later re-recorded with  Bad Company , the band that he and Rodgers established after the final breakup of Free. Also, "Hold On" was covered by  Maggie Bel l , which was included in the album  Suicide Sal . TRACKLIST : Blue Grass                        Sammy's Alright                        Ann...

        The Alabama-born musician and songwriter,  Oldham played keyboards on such seminal soul songs as “When a Man Loves a Woman” by Percy Sledge, “Mustang Sally” by Wilson Pickett, “You Better Move On” by Arthur Alexander and “I Never Loved a Man (The Way That I Love You)” Aretha Franklin’s historic first recording for Atlantic Records. He was a co-founder of the Muscle Shoals Rhythm Section.       As a songwriter, Spooner Oldham teamed with Dan Penn to write such hits as “Cry Like a Baby” (The Box Tops), “I’m Your Puppet” (James and Bobby Purify), “Wish You Didn’t Have to Go” King Kurtis, “A Woman Left Lonely” (Janis Joplin) and “It Tears Me Up” (Percy Sledge).      M ove to Los Angeles found Oldham recording with a variety of artists across the stylistic spectrum, including Arlo Guthrie, Jim Croce, Gram Parsons, The Everly Brothers, Jackson Browne, Linda Ronstadt, Gene Clark, Ry Cooder, Rita Coolidge, The Flying Burrito Brother...