Missionaria Protectiva

  SPEED, GLUE & SHINKI  Eve  (Atlantic,1971) - Acid rock, Hard rock       As everyone has asked himself, I'm wondering how drugs can (or could) influence rock artists. I consider some of the answers are lying open in this album. Look folks. The first track is named  Mr. Walking Drugstore Man . Even only this dangerous flavour is enough for us to feel the drug culture, isn't it? Yes, Joey Smith's nickname was 'Speed'. From the beginning, massively heavy Masayoshi's bass & Joey's drums, and funky and sneaky Shinki's guitar, can attack and kick our b**t seriously. Furthermore, at the last of this song he whispers 'Hey, you wanna buy the speed, you wanna buy the speed! Yea...huh...peace!'. Wow, we should be amazed and shocked there be such a song possessed by SPEED. However I suggest this song should be born not in their 'tripping' but in their 'desire for tripping'. That is, I do feel this song be not a freaky-out or another-...

  RORY GALLAGHER  Rory Gallagher  (Polydor,1971) - Blues rock       Rory’s solo debut was a natural progression from Taste and set the template for the 10 studio albums that followed: a blend of authentic blues, acoustic folk, and blistering rock‘n’roll.       Impressively for such a staunch blues traditionalist, Gallagher didn’t cover any old standards for any of his earliest solo albums. He had plenty of great original material, and a shit-hot band to back him up.  Laundromat  is the kind of stinging boogie that  ZZ Top  built an entire career on,  I Fall Apart  is a deep blues lament, and  Can’t Believe It’s True  is a Traffic-style jazz-rock jam with Rory playing saxophone.  TRACKLIST : Laundromat                          Just The Smile                          I Fal...

  ROBBIE ROBERTSON  Storyville  (Geffen,1991) - Rock       The 10 tracks traverse several states and decades in describing an on-again, off-again love affair, along with the protagonist’s search for spiritual fulfillment, climaxing far from Louisiana on the Hopi Indian reservation.       This narrative seems to have stayed mostly in the artist’s head (and in the detailed press kit synopsis). “Storyville” is better appreciated as a strong but uneven collection of tunes than as the dramatic whole he envisioned.       Some cuts get surprisingly pedestrian in waxing romantic and wonderstruck, Robertson’s populist sense besting his poetic instincts. (Lines like “We’re all living in a street opera” veer mighty close to Bon Jovi territory.)       Other vignettes, though, are standouts--like “Soapbox Preacher” (in which Robertson’s husky whisper mixes prettily with a Neil Young harmony), “Resurrection” (where gospel’s Zi...

  DAVE EDMUNDS  Get It  (Swan Song,1977) - Rock       Edmunds was making enough musical noise that he could count Robert Plant as a fan, which led to him being offered a deal on Led Zeppelin’s Swan Song label that gave him full artist control. The tracks that made up his first Swan Song release, 1977’s  “Get It”,  had already largely been recorded by Edmunds at Rockfield Studios before he got the deal, and they include several Nick Lowe tunes, including the first recording of his classic  ‘I Knew The B ride ’ . Dave Edmunds was never a prolific songwriter, and he was impressed with Lowe’s ability to write songs quickly. The album included former Man drummer Terry Williams, who had also played with Love Sculpture at the end of their career, Lowe on bass for some tracks with fellow Brinsleys’ drummer Billy Rankin and Bob Andrews on piano, and Chilli Willi’s Paul Riley on bass. The songs were more contemporary than on Edmunds’ earlier releases, ...

        Francis Alan Fitzgerald  is an American musician (both a bassist and a keyboardist), was a member of several U.S. bands. He played as a bassist in the bands Montrose and Gamma, both of which also featured guitarist Ronnie Montrose. He played keyboards for Sammy Hagar as a solo artist. In the 1980s, he was the keyboardist for Night Ranger. He also played keyboards offstage for Van Halen in the early 1990s and the 2004, 2007, and 2012 tours as well as offstage keyboard for Bruce Springsteen at the Devils and Dust Tour in 2005. NIGHT RANGER Dawn Patrol Boardwalk, 1982 https://www.sendspace.com/file/tcckmx

  YELLOWJACKETS   Mirage A Trois  (WB,1983) - Jazz       This album seemed to combine the two: instrumental jazz with the synth as the main melodic instrument. Keyboardist Russell Ferrante played a lot of different instruments that were cutting edge at the time (Yamaha GS-1 and CE-20, OBX, and Prophet) which date the sound but in a good way, if that makes any sense. At this time, the group was basically a synth-bass-drums trio with lots of guest artists (Richard Elliot, Robben Ford, Randy Crawford, Bruce Hornsby, Brenda Russell, etc.) appearing on certain tracks, but in later releases, the group would add a permanent sax player. To me, they never sounded this good again. TRACKLIST : Claire's Song                        Top Secret                        I Got Rhythm                     ...