Missionaria Protectiva

  RANDY MEISNER  Randy Meisner  (Asylum,1978) - Rock,Country rock       Randy Meisner was the bassist and adding backing vocals on The Eagles’ first five albums which sold twenty-five million copies in America alone.       In September 1977, Randy Meisner announced he was leaving The Eagles, citing exhaustion, which was no surprise given the band’s gruelling recording and touring schedule over the past six years.        Randy Meisner had decided to embark upon a career as a solo artist, and signed to Asylum Records in 1978. Later that year, the thirty-two year old released his debut album Randy Meisner in June 1978. While this album of country rock, AOR and rock was well received by the majority of critics, it wasn’t the success that Randy Meisner had hoped and the album failed to trouble the charts. For Randy Meisner who wasn’t used to failure, this was a huge disappointment, and to make maters worse, he was dropped by th...

        The drummer (and sometimes singer) of  The Dictators , he was a founding member of  Blue Oyster Cult  and the drummer in the band’s first decade, which, it should be mentioned, was its best.  Bouchard  founded the band in 1967 and remained there until 1981, when he decided to start other projects on his own.       His drumming was effective and to the point. This added an element of consistency to  Blue Oyster Cult , which is shown throughout his career.  Bouchard  might be the most underrated drummer on this list but he deserves a lot more recognition. BLUE OYSTER CULT Blue Oyster Cult CBS, 1972 https://www.sendspace.com/file/3eoogh

  MFSB  MFSB  (PIR,1973) - Soul       Credited on  Save the Children ( Gil Scott-Heron )  for the first time ever was PIR’s house band, MFSB (short for Mother Father Sister Brother), a group of veteran studio players that had gelled into its own distinct entity, not unlike Barry White’s Love Unlimited Orchestra. Their self-titled debut, boasting some of the funkiest artwork in the label’s history, opens with a florid interpretation of  Curtis Mayfield ’s “Freddy’s Dead.” Where the original was fleet and street tough, MFSB’s cover is maximalist: a block party set to music. That applies to most of the songs on  MFSB , including their cover of “Back Stabbers,” which is essentially the band covering itself. In fact, half the fun of this set is hearing these artists comment so creatively on other pop trends, as they reach out and bring a little Philly to other cities and scenes. TRACKLIST : Freddie's Dead           ...

SKYY  Skyy Line  (Salsoul/RCA,1981) - Post disco        Skyy Line  is the band's fourth album, and on "Let's Celebrate" they hit the perfect groove, though whilst there are other highspots, much of the rest is enjoyable but unexceptional funk, or attractive but forgettable ballads. And of course Randy Muller's not too proud to slip in a deft Chic imitation at the end. TRACKLIST : Let's Celebrate                    Call Me                    Girl In Blue                    Jam The Box                    When You Touch Me                    Gonna Get It On                    Get Into The Beat https://www.sendspace.com/file/xd0pg4

  RICK JAMES  Fire It Up  (Gordy,1979) - Funk       After the disjointed and raggedy  Bustin’ Out of L Seven , Rick James ditched co-producer Al Stewart and handled all the production work on  Fire It Up  himself.       The album didn’t sell as well as  Bustin’ Out , but it sure as hell sounded a lot better, so I’may say Rick made the right call. Everything was streamlined and the first pangs of what James termed “punk funk” can be heard.        There’s a laid back vaguely island breezy groove supplemented by some sexy sax. And a Rick James song  finally  manages to have a good guitar solo. Importantly, James keeps his voice totally under control. He ain’t trying to reach notes his voice can’t handle. Also, the background singers are totally adult. None of that helium-voiced nonsense. This is grown folks music, so make sure everybody sounds grown. TRACKLIST : Fire It Up       ...

  TEDDY PENDERGRASS  Teddy Pendergrass  (PIR,1977) - Soul       It was only a matter of time before Teddy Pendergrass would leave Harold Melvin & the Bluenotes, the group he’d made his name in. As their lead singer, he had delighted with his gospel-influenced vocals on hits such as If You Don’t Know Me By Now and the uplifting Wake Up Everybody. In 1977, he finally went solo.      His self-titled debut album captures some of his greatest performances. Backed by PIR’s house band, MFSB, it is an underrated example of orchestrated soul. I Don’t Love You Anymore is a huge, upbeat anthem about, well, divorce. Pendergrass will sort out the financial side of things, and then scarper: “But we can’t live together, this way will be much better”.  The More I Get, The More I Want is a frantic floor-filler, and its breakdown, focusing on the bass, is one of the most inspirational in 70s soul. TRACKLIST : You Can't Hide From Yourself    ...