Missionaria Protectiva

  STEVE MILLER BAND  Rock Love  (Capitol,1971) - Rock       This is generally regarded as the black sheep in the SMB ’s discography. Although it features new material, the first half is recorded live and the whole thing appears to have been rush released. There are no formal production credits, no engineer (or remix engineer) cited, no explanation of overdubs. Despite all that,  Rock Love  isn’t as bad as critics have historically made it out to be. As a singer and guitarist, Miller is still as solid as a rock, and the quality of the material isn’t so far removed from the albums before and after. TRACKLIST : The Gangster Is Back                        Blues With Out Blame                        Love Shock                        Let Me Serve You       ...

  STYX  Styx  (Wooden Nickel, 1972) - Prog/Hard rock       The debut album by  Styx  is a mix of toil and toll: half an album of original music and half an album of covers selected by the band’s label, Wooden Nickel.  Styx  (later referred to as  Styx I ) is best remembered for its ambitious 13-minute opening track and the hard-rocking  Best Thing . TRACKLIST : Movement For The Common Man                        Right Away                        What Has Come Between Us                        Best Thing                        Quick Is The Beat Of My Heart                        After You Leave Me https://www.sendspace.com/file/35f8eb

  ATHLANTA RHYTHM SECTION  Third Annual Pipe Dream  (Polydor,1974) - Southern rock       ARS debuted in 1972 with a self-titled album that bubbled under the Top 200  Billboard  chart. Their second album,  Back Up Against The Wall , missed the survey, before a change of labels, from Decca to Polydor, brought better luck. Their official debut on that countdown came on September 14, 1974, when  Third Annual Pipe Dream,  produced as usual by Buie, entered at No.166.       Third Annual Pipe Dream  was launched by live dates that included a week-long engagement close to home for ARS, at the New Electric Ballroom in Atlanta in July, followed by further dates in the south.  Billboard ’s review of one night in the Atlanta run remarked that the album, “an excellent bright-boogie work with just the right soft touches,” was selling furiously in Atlanta and getting heavy AM airplay the week of the Ballroom engagement. TR...

  RANDY MEISNER  Randy Meisner  (Asylum,1978) - Rock,Country rock       Randy Meisner was the bassist and adding backing vocals on The Eagles’ first five albums which sold twenty-five million copies in America alone.       In September 1977, Randy Meisner announced he was leaving The Eagles, citing exhaustion, which was no surprise given the band’s gruelling recording and touring schedule over the past six years.        Randy Meisner had decided to embark upon a career as a solo artist, and signed to Asylum Records in 1978. Later that year, the thirty-two year old released his debut album Randy Meisner in June 1978. While this album of country rock, AOR and rock was well received by the majority of critics, it wasn’t the success that Randy Meisner had hoped and the album failed to trouble the charts. For Randy Meisner who wasn’t used to failure, this was a huge disappointment, and to make maters worse, he was dropped by th...

        The drummer (and sometimes singer) of  The Dictators , he was a founding member of  Blue Oyster Cult  and the drummer in the band’s first decade, which, it should be mentioned, was its best.  Bouchard  founded the band in 1967 and remained there until 1981, when he decided to start other projects on his own.       His drumming was effective and to the point. This added an element of consistency to  Blue Oyster Cult , which is shown throughout his career.  Bouchard  might be the most underrated drummer on this list but he deserves a lot more recognition. BLUE OYSTER CULT Blue Oyster Cult CBS, 1972 https://www.sendspace.com/file/3eoogh

  MFSB  MFSB  (PIR,1973) - Soul       Credited on  Save the Children ( Gil Scott-Heron )  for the first time ever was PIR’s house band, MFSB (short for Mother Father Sister Brother), a group of veteran studio players that had gelled into its own distinct entity, not unlike Barry White’s Love Unlimited Orchestra. Their self-titled debut, boasting some of the funkiest artwork in the label’s history, opens with a florid interpretation of  Curtis Mayfield ’s “Freddy’s Dead.” Where the original was fleet and street tough, MFSB’s cover is maximalist: a block party set to music. That applies to most of the songs on  MFSB , including their cover of “Back Stabbers,” which is essentially the band covering itself. In fact, half the fun of this set is hearing these artists comment so creatively on other pop trends, as they reach out and bring a little Philly to other cities and scenes. TRACKLIST : Freddie's Dead           ...