Missionaria Protectiva

        William Scott Gorham was born on St Patrick's day, 17th March 1951 in Glendale, California. Scott's musical career started at aged 13 when he played bass guitar in a local surf band. He later took up the guitar and played with various bands throughout his teenage years.        Scott's brother-in-law, Bob Siebenberg, moved to London and eventually joined 'Supertramp'. With the possibility of also joining the group, Bob suggested Scott come to the UK to audition. This didn't work out and Scott, now based in London, formed a band called 'Fastbuck'.         This was Scott's apprenticeship where he learned about independence and responsibility, but realising the band were not destined for great things, he made an effort to go for an audition at The Iroquo Country Club in London with a moderately successful Thin Lizzy in 1974.          Scott went on to perfect the now famous twin-guitar harmony with Lizzy's other 'new recruit', Brian &#

        After earning a music scholarship in Shrewsbury Public School, he finished his studies in 1967 obtaining his L.T.C.L. and L.R.S.M diplomas in violin. Soon was invited to join the famous (In Latin America) SERGIO MENDEZ band (1970).       Is in this days the he works in his debut album "Chimera" that is released in 1974 with Duncan playing Vocals, piano, Hammond B3 organ, Denon electric piano, clavichord, ARP synthesizer.       In 1975 he joined Steve Harley and Cockney Rebel with whom they release the hit single Come Up And See Me, Make Me Smile that reaches the peak of the British charts, but in the meanwhile, faithful to the music he loves, works and releases his second album Score that saw the light in 1977, with famous musicians such as John Wetton and Mel Collins (King Crimson), it's only recently that this album has reached the status of Collector's Item.       Around he date of release of Score, Duncan worked with famous musicians and bands as KATE BUSH

        Though he's spent  most of the last 30 years touring on the jazz fusion circuit and heading up drum clinics, from 1978 to 1985 Steve Smith's superhuman chops held down arena rockers Journey during their peak years – arcade game and all. His part for the inspirational classic "Don't Stop Believin'" is an intricate open handed pattern in which he plays the hi-hat with his left hand while his right moves around the kit. It's as exceptional as Perry's skyscraping vocals.  VITAL INFORMATION Orion Columbia,1984 https://www.sendspace.com/file/1piv8z

        Randy Meisner   is best known for his work with The Eagles from 1971-1977. A mainstay on most of their hits, he has also worked with Poco, James Taylor, Linda Ronstadt and has released solo records.       Meisner is the kind of player that excels at functionality and musicality, perfectly at home supporting the song and holding out for the right moment to execute a low-end melody. Many of his bass lines are derivative of traditional blues and country bass playing, where the approach favors playing just the root, the arpeggio, or the root and fifth.  M ost of his lines are harmonically simple and make use of diatonic voice leading, he gracefully sits in the groove with the drummer, provides the necessary accompaniment, and allows the song to shine through. One More Song Epic,1980 https://www.sendspace.com/file/mrv04h