GUITAR WOLF...David Gilmour

 


     Gilmour approached the guitar, like all great guitarists, not as an instrument with rules but as an object that makes sound. He’s an interesting figure because of how he fits in the great guitar pantheon: where most are enormously gifted technicians who learn to wield their immense and fastidiously acquired talents toward a tone (that holiest of things!), Gilmour is one of the first modern greats to approach the same question from the opposite side. The variables at play are still the same, and Gilmour’s deliberateness when employing technique in service to tone to create the mood and atmosphere that fits the song is just as keen, but he worked with a smaller palette than a typical guitar god. It didn’t (and doesn’t) matter what you wind up doing to the guitar, though, with the guitar, through the guitar, so long as you get a sound that moves you.



About Face

Harvest,1984








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