Missionaria Protectiva

  Tommy Lee's gravity-defying drum solos and penchant for wearing as few clothes as possible made him one of metal's truly great showmen. But his bashing in Mötley Crüe was just as important as his star power. Lee's frenetic clatter helped define the glam-punk appeal of Mötley's debut  Too Fast for Love , while the earth-shaking beat that powered  Dr. Feelgood 's title track sounded as menacing and overwhelming as that song's tales of drug-fueled Eighties decadence. MOTLEY CRUE Too Fast For Love Leather,1981 https://www.sendspace.com/file/w0jm5a

        Motörhead’s most iconic song, “Ace of Spades,” opens with Lemmy Kilmister playing a tap-dancing lead bass line before falling into a melody that sounds like his Rickenbacker is headed straight to hell as he sings about feeling “born to lose.” Both in his poetry and his bass playing, Kilmister’s aesthetic was all about reckless abandon. Prior to Motörhead, he was a rhythm guitar player who switched to bass to play with space rockers Hawkwind. “[Bass] is just like playing the guitar without the top two strings,” Kilminster once said .       After his predilection for uppers got him ousted from that band, he developed his own gritty style. Kilmister’s approach perfectly matched his sandpapery voice and underdog wit, and it made him unique — a distinction he was proud of. Born To Lose,Live To Win Cleopatra,2016 https://www.sendspace.com/file/qk62d2