ONCE UPON A TIME...End Of The Rainbow

 

PATTI AUSTIN  End Of The Rainbow  (CTI,1976) - R&B


     The ever-lovely Patti Austin is a doyenne of the soul and jazz scene. She made her debut way back in 1954, when, aged just four, she wowed the audience of the Harlem Apollo. Her brief appearance at the famed theatre was enough to secure her a deal with RCA Records – a child prodigy indeed. Mind you, with godparents like Quincy Jones and Dinah Washington, the auguries were long in place. By the late 60s Patti was the session singer and jingle/commercial maker of choice on the New York studio scene. At the same time she found time to make her own solo records with labels like ABC, United Artists and Columbia though major chart success just eluded her… maybe she was content enough to be “Queen Of The Jingles”! Then, after organising the backing vocalists for several CTI recordings, label boss, Creed Taylor, signed her up as a performer and the result was the acclaimed 1976 album ‘End Of Rainbow’ which secured a top 40 placing in the Billboard jazz album chart. Pleased with that success, Taylor allowed Patti to cut two more LPs – ’78’s ‘Havana Candy’ and ’80’s ‘Body Language’.

TRACKLIST : Say You Love Me
                       In My Life
                       You Don't Have To Say You're Sorry
                       More Today Than Yesterday
                       Give It Time
                       There Is No Time
                       What's At The End Of The Rainbow
                       This Side Of Heaven
                       Sweet Sadie The Savior

Коментари

Постави коментар

Популарни постови са овог блога

GUITAR WOLF...Joe Perry

Слика
        It’s hard to conceive a better musical foil for Steven Tyler than his longtime partner and occasional adversary. For more than 40 years, Joe Perry’s monstrous, blues-on-steroids riffs have been  Aerosmith ‘s bedrock. And his solos, jutting out from “Walk This Way” or slashing boldly through the high-gloss production of later hits like “Janie’s Got a Gun” and “Cryin’,” have a caffeinated energy that’s every bit Tyler’s match. AEROSMITH Get A Grip Geffen,1993 https://www.sendspace.com/file/rd9fbo
Прикажи све

LITTLE DRUMMER BOY...Matt Cameron

Слика
        More than any other drummer, Matt Cameron laid the rhythmic foundation for the Nineties rock revolution, reconciling proggy technicality with overwhelming force. He aptly characterized his rotary-blade rhythms on the 1991 Soundgarden track "Jesus Christ Pose" as "a pure assault of the senses," but that efficient brutality wasn't necessarily characteristic of Cameron's work with the band – his drumming on  Superunknown  is as thoughtful as it is heavy, from the fluid asymmetry of "Spoonman" to the unshakeable backbeat of "Fell on Black Days." Twenty years after its release, Dave Grohl was  still raving , "Nobody played drums like Matt." When Soundgarden suddenly disbanded in 1997, Cameron wasn't out of work for long: Pearl Jam invited him on tour the following year.  SOUNDGARDEN  Badmotorfinger A&M,1991 https://www.sendspace.com/file/uaniyr
Прикажи све

ONCE UPON A TIME.....Gravy Train

Слика
  GRAVY TRAIN  Gravy Train  (Vertigo,1970) - Progressive rock       Their debut shows Gravy Train as a brave and daring underground band, heavily influenced by and derivative of other prog/hard acts of the time, yet actually trying to push the boundaries forward. Unfortunately, since the album bombed, the guys preferred to dump all the experimentation of these songs in favour of a smoother, more commercial sound later on, which totally destroyed their idiosyncrasy and forever nailed them as second-rate good-for-nothings. TRACKLIST : The New One                          Dedication To Sid                          Coast Road                          Enterprise                          Think Of Life                          Earl Of Pocket Nook https://www.sendspace.com/file/macr6j
Прикажи све