BASS CULTURE...Peter Cetera

 


     It’s easy to forget that before he was a household name as a chart-topping balladeer, Peter Cetera wielded a 4-string in a powerhouse rhythm section alongside drummer Danny Seraphine, guitarist Terry Kath and keyboardist Robert Lamm. Chicago brought a new level of fusion-inspired creativity to the pop scene, seamlessly blending odd time signatures and dense horn arrangements with sophisticated ear candy songwriting, all glued together with Cetera’s monstrous, melodic, McCartney-inspired bass lines percolating underneath. He lays down the driving, greasy funk on “Woman Don’t Want To Love Me” (Chicago VII, 1974), but also grabs some sweet upper-register melodic fills in the turnarounds. And “Something In This City Changes People” (Chicago VI, 1973) is a masterclass in both compositional countermelody and solid support. As iconic as this band is, Peter Cetera is a true unsung bass hero. 


CHICAGO

Chicago VII

Columbia,1974









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