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Приказују се постови за 2025

ONCE UPON A TIME.....Broadcasting From Home

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  PENGUIN CAFE ORCHESTRA  Broadcasting From Home  (EG,1984) - Instrumental,Avant-pop       Recorded over two years and featuring much of the same cast as the first two albums,  Broadcasting  is clearly part and parcel of   Penguin Cafe Orchestra ‘s original vision: mixing serious and non-serious instruments together into short songs that sound like sunlight in your ears. Only it’s a dappled sunlight this time, interspersed with passing clouds. A song like “Air,” featuring heavy harmonium and made of mist and lost sailors’ souls, or the stationary “White Mischief” gives the album a stilted feel suited to an E.G. artist ( Brian Eno ,  Harold Budd ). TRACKLIST : Music For A Found Harmonium                        Prelude & Yodel                        More Milk                 ...

LITTLE DRUMMER BOY.....Nicko McBrain

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        Before joining Iron Maiden, McBrain honed his craft by playing in various bands and working as a session drummer. His diverse experience allowed him to develop a versatile style that seamlessly fuses technical skill with power and energy.       McBrain’s drumming is characterised by his impressive technical proficiency, remarkable stamina, and ability to utilise every inch of the drum kit. His thunderous snare hits and lightning-fast tom fills have become synonymous with the powerful sound of Iron Maiden. IRON MAIDEN A Real Dead One EMI,1993 https://www.sendspace.com/file/kje61g

ONCE UPON A TIME.....Boogie Brothers

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  SAVOY BROWN  Boogie Brothers  (Decca,1974) - Blues rock       This group has changed members more than any other group in recent history, with guitarist founder Kim Simmonds the only constant. Somehow, however, they continue to remain commercial yet sincere in their renditions of British blues. This time, with vocals shared between Stan Webb and Miller Anderson and the two also teaming with Simmonds on guitar, they have a fine combination. The three guitars work particularly well on Bo Diddley's "You Don't Love Me" and the group's "Rock 'N' Roll Star" and "Highway Blues." TRACKLIST : Highway Blues                        Me And The Preacher                        My Love's Lying Down                        You Don't Love Me                 ...

ONCE UPON A TIME.....Smokin' OP's

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  BOB SEGER  Smokin' O.P.'s  (Palladium/Reprise,1972) - Rock       Smokin' O.P.'s ( O.P.'s is Midwestern butt-bummers' slang for Other People's)  was a fine showcase for Seger's workmanlike rock & roll approach. "Heavy Music," an original, became a huge Detroit hit. Other highlights included Seger's versions of such standards as "Bo Diddley," "Let It Rock," and "Turn on Your Lovelight." TRACKLIST : Bo Diddley                        Love The One You're With                        If I Were A Carpenter                        Hummin' Bird                        Let It Rock                        Turn On Your Lovelight           ...

ONCE UPON A TIME.....Wild Life

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  WINGS  Wild Life  (Apple,1971) - Rock       Wild Life is a world apart from Paul’s previous band. In a fantastically rebellious move, he defied expectations by making Wings’ debut a raw, brilliantly sloppy and human album that sounds a lot like freedom. The sequencing is unapologetic, starting with the wild one-two of Mumbo and Bip Bop. You quickly realise the key to appreciating Wild Life is being on board with its feel and attitude from the off. Here’s a man lauded for his melodic suss communicating by way of grunts, groove, silly voices and feedback rather than exquisitely crafted hooks and arrangements. And it’s an absolute blast. TRACKLIST : Mumbo                           Bip Bop                           Love Is Strange                           Wild Life ...

ONCE UPON A TIME.....Street Parade

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  STEVE GIBBONS BAND  Street Parade  (Polydor,1980) - Rock       Craftsmanlike 50's rock and roll. Everything is highly listenable and some cuts are a ball. Better than anything another ex-Move, rock 'n roll admirer--Roy Woods--put out in this style. Funny that all these Birmingham boys could never shake their love for Chuck Berry and Gene Vincent. TRACKLIST : A To Z                     Human Race                     Graffiti Man                     Sonny Day And The Tropics                     Blue Lagoon                     I'm A Man                     British Rock'n'Roll                     New Romance   ...

ONCE UPON A TIME.....Rough Mix

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  PETE TOWNSHEND & RONNIE LANE  Rough Mix  (Polydor,1977) - Rock       Rough Mix  is a sort of double solo album by Pete Townshend and former Face Ronnie Lane. Except on two cuts, where Lane and Townshend sing together, the LP shifts between Townshend’s high, almost preteen vocal sound, and Lane’s rougher, grainier singing: innocence and experience. The combination doesn’t quite come off, but the music’s utterly idiosyncratic insistence on its own validity has its charms. There are no commercial ambitions here; rather, Townshend and Lane seem to be trying to find their places in the scheme of things, casually fooling with rock and roll to make room for themselves. TRACKLIST : My Baby Gives It Away                           Nowhere To Run                           Rough Mix              ...

ONCE UPON A TIME.....DaDa

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        Easily the most challenging album of Alice's "solo" era, DaDa features some serious art rock vibes just below the surface, and plenty to unpack over the long haul, even if the emphasis is on 'long'. TRACKLIST : DaDa                        Enough's Enough                        Former Lee Warmer                        No Man's Land                        Dyslexia                        Scarlet And Sheba                        I Love America                        Fresh Blood                     ...

VOICES IN THE SKY.....Brenda Holloway

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        This musically gifted ballad singer, songwriter and violinist from Los Angeles was considered to be the female face of Motown when Mary Wells left the label in 1964. Holloway’s stay instead mixed equal elements of success and frustration into a brief Motown career, which included hits produced both in her hometown and in Detroit. Signed by Berry Gordy as a teenager, Holloway grew up fast at Hitsville, but with so many of her tracks left on the shelf, she departed after one fine album and a flurry of excellent singles that also made her a cult figure on the U.K.’s discerning Mod and Northern Soul circuits.       As a songwriter Holloway is best known for “You’ve Made Me So Very Happy,” a worldwide hit for Blood, Sweat & Tears that she originated at Motown in 1967. The Very Best Of... Tamla/Motown, 1999 https://www.sendspace.com/file/d34fco

ONCE UPON A TIME.....Infidels

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  BOB DYLAN  Infidels  (Columbiaq,1983) - Rock       An album heralded as a return from  Bob Dylan's  born-again proselytizing, the  Mark Knopfler -produced  Infidels  began  Bob Dylan's  journey back toward mainstream music making — and it may have been even better except for some last-minute tinkering.       Luckily, the final track listing included the stand-out song "Jokerman," which found Dylan using themes both Biblical and secular to tear down political charlatans. Or was it a dark reflection on Judaism? A rumination on false messiahs? A cutting indictment of his own career missteps?       Such are the enduring mysteries of classic Dylan, the singer-songwriter’s wild card. In a way, that makes  Infidels ,  the earliest indication of the long-hoped-for bounce-back moment that would finally coalesce into the '90s. TRACKLIST : Jokerman       ...

ONCE UPON A TIME.....Ladies Of The Canyon

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  JONI MITCHELL  Ladies Of The Canyon  (A&M,1970) - Folk rock       Joni Mitchell writes some of the finest tunes around and matches their flowing hesitancy with her enduring epiphanies and modern parables. Her clever inner rhymes and stylized satire have been around for years—recall Tom Rush's "Circle Game" and Judy Collins' "Both Sides Now"? Ably matched here by "For Free," "Conversation" and the already CSNYed "Woodstock," not to mention the elusive "The Priest" or the incisive "Ladies of the Canyon" and seven other enigmatic, poetic word-journeys that move from taxis to windows to whiskey bars to boots of leather and racing cars. Plus the fact that Joni has now mastered the piano to the point where she employs it rather than guitar on nearly half the cuts—she plays it shrilly with a lot of echo and lingering notes, giving certain songs even more dimension and wideness. Other innovations this time out ...

ONCE UPON A TIME.....Kiki Dee

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  KIKI DEE  Kiki Dee  (Rocket,1977) - Pop,Soft rock       For me, Kiki’s best album, with a solid set of songs, top-notch production and excellent singing throughout. High point is the barn-storming album-closer “First Thing in the Morning,” another Bias Boshell composition which should have been a much bigger hit. Features a guest appearance from members of Electric Light Orchestra on her version of Robert Palmer’s “How Much Fun.” TRACKLIST: How Much Fun                    Sweet Creation                    Into Eternity                    Standing Room Only                    Bad Day Child                    Chicago                    Night Hours     ...

ONCE UPON A TIME.....This Is Serious

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  MARILYN MARTIN This Is Serious  (Atlantic,1988) - Pop rock       She's famous for her 1985 duet with Phil Collins, but the singer has also worked with Stevie Nicks, Joe Walsh, Tom Petty, and Madonna before giving up show business to become a real estate agent. TRACKLIST : Possessive Love                          This Is Serious                          The Best Is Yet To Come                          Quiet Desperation                          Lay Me Down                          Love Takes No Prisoners                          Try Me             ...

ONCE UPON A TIME.....Make Love To The Music

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  LEON & MARY RUSSELL  Make Love To The Music  (Paradise,1977) - Rock,Soul,Funk             Mary "is a convincing individual singer, but her soulful wailings have yet to mix naturally with her husband's own brand of rambling boogie fever.       A little messy and all over the place but not a complete disaster; more in keeping with Leon's own solo work during the period and definitely worth a spin. TRACKLIST : Easy Love                        Joyful Noise                        Now Now Boogie                        Say You Will                        Make Love To The Music                        Love Crazy       ...

ONCE UPON A TIME.....Is It Still Good To Ya

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  ASHFORD & SIMPSON  Is It Still Good To Ya  (WB,1978) - R&B/Disco       The keystone of  ‘Is It Good To Ya’ – which topped the US R&B albums chart back in 1978 and was the duo’s second Gold-certified album – is undoubtedly the set’s lead off track and chief hit single, ‘It Seems To Hang On,’ a brilliant, lush, groove ballad whose hypnotic chord sequence established a stylistic template for soul music that was deeply influential in the 1980s (a whole raft of soul records used the same chord sequence during that decade). Utilising the talents of top session players like guitarist Eric Gale, bassist Franco Centeno, keyboardist Ray Chew, drummer Steve Jordan, and percussionist Ralph MacDonald – not forgetting superb strings and horns charts by ex-Motown arranger, Paul Riser – Ashford & Simpson created a sumptuous soul masterpiece spiced up with a little bit of piquant funk and disco seasoning. Other highlights include the dreamy, mirrorba...

BASS CULTURE.....Louis Johnson

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        Born in 1955, Johnson appeared on the Los Angeles music scene as a professional bass player in the 1970s. Alongside his brother George, the two played with both Bobby Womack and the Supremes before joining Billy Preston’s band in 1972. After working with Preston on Music In My Life and The Kids and Me, the two left the band and ended up working with producer Quincy Jones on his project, Mellow Madness. This led to a unique partnership with Jones, as he started producing The Brothers Johnson’s records, beginning with Look Out for #1. The following Brother’s Johnson releases, Right On Time, Blam!!, and Light Up The Night, all faired well on the Billboard charts and featured funk and disco grooves with a heavy emphasis on Louis’ slap style bass playing.       In addition to working with the Brothers Johnson, Louis was an in – demand LA session player from the mid 1970s through the late 80s. Quincy Jones enlisted him to play on Michael Jackson’s re...

ONCE UPON A TIME.....Mainhorse

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  MAINHORSE  Mainhorse  (Polydor,1971) - Progressive rock       Mainhorse is a one-off proto-prog band best known for being the starting point for Patrick Moraz's fascinating career. The sole album reveals a Deep Purple Mark I/The Nice fixation, both in terms of Peter Lockett's lead vocals and the kind of keyboard-driven storming hard rock (although there's a hint of the Hocus Pocus bridge at one point) on offer.   TRACKLIST: Introduction                      Passing Years                      Such A Beautiful Day                      Pale Sky                      Basia                      More Tea Vicar                      Go...

ONCE UPON A TIME.....Wasa Wasa

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  EDGAR BROUGHTON BAND  Wasa Wasa  (Harvest,1969) - Psychedelic rock       Establishing themselves as an unholy collision between the still-nascent  Pink Fairies  and the legendary  Fugs , the debut album by British free-festival favorites the Edgar Broughton Band almost literally re-created the spirit of their natural territory -- a muddy field full of sunbaked hippies -- with eight more or less epic tracks that, though their inspiration has long become the stuff of ancient history, remain essential listening to all but the most jaded ears.  TRACKLIST : Death Of An Electric Citizen                        American Boy Soldier                        Why Can't Somebody Love Me                        Neptune                ...