Missionaria Protectiva

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  CAPTAIN BEEFHEART  Bat Chain Puller  (VAULTernative,2012) - Rock/Blues rock       Bat Chain Puller  is the 13th studio album (and first official posthumous album) by  Captain Beefheart , released on February 22, 2012. It was recorded in 1976 by  DiscReet Records , who had intended to release it with  Virgin Records  as Captain Beefheart's tenth studio album. It was co-produced by Beefheart and Kerry McNab. TRACKLIST : Bat Chain Puller                        Seam Crooked Sam                        Harry Irene                        81 Poop Hatch                        Flavor Bud Living                        Brick Bats     ...

  JOE PERRY PROJECT  Once A Rocker, Always A Rocker  (MCA,1983) - Rock       “Once a Rocker, Always a Rocker” was the third record from the Joe Perry Project. It was originally titled as “Round 3” but was changed to “Once a Rocker, Always a Rocker.” It was released in September of 1983 on MCA records and featured a new band backing Perry, consisting of Cowboy Mach Bell – vocals, Danny Hargrove – bass, and Joe Pet – drums.       This record consisted of 10 hard rocking songs, with some of the best guitar work that Perry had ever recorded. Vocalist Cowboy Mach Bell was a dynamic singer/front man with a penchant for writing very catchy lyrics. This version of the Joe Perry Project was an exciting, focused and energetic live band. However, “Once A Rocker, Always A Rocker” turned out to be the last record for the Joe Perry Project. Perry reunited with Aerosmith in April 1984 and shortly after, Aerosmith was on trek to once again become one of the ...

  STEPHEN BISHOP  Red Cab To Manhattan  (WB,1980) - Pop       Bishop  wrote and recorded Red Cab during his bicoastal romantic involvement with actress Karen Allen and not long before their reportedly crushing split. Listening to the album, you can hear both sides of the equation: it alternates between playful pop tunes that sound like they were authored during the relationship's happy times, characterized by a prankish, occasionally raunchy sense of humor (as in the opener, "The Big House," and the bizarre, irreverent "Sex Kittens Go to College"), and poignant selections such as "The Story of a Boy in Love," about a distraught young man who leaps off a building to his death after a breakup.  TRACKLIST: The Big House                      Don't You Worry                      Thief In The Night             ...

  DAVE DAVIES  AFL1-3603  (RCA, 1980) - Rock        For his first solo disc, Dave Davies came out swinging with the great AFL1-3603, titled after the record's catalog number and also as a slap at the bar coding that had begun to be put on nearly everything. This album rocks; from the opening "Where Did You Come From" right on through to "Run," there is a sense that Davies was out to prove that his brother  Ray  wasn't the only force in  the Kinks . Chock-full of the best bits of  the Kinks ' guitar rockers, AFL1-3603 also holds lots of power pop treasures, such as the very lovely "Imaginations Real" and the nice change of pace "Visionary Dreamer." Doing all the guitars, vocals, keyboards, and most of the bass and drums, as well as producing and writing all the tunes, Dave Davies proves he can out- Kink  brother  Ray  and do it with a refreshing style. AFL1-3603 is a winner. TRACKLIST : Where Do You Come From   ...

  ERIC CLAPTON / MICHAEL KAMEN  Edge Of Darkness  (BBC,1985) - Soundtrack       Edge of Darkness  is the 1985  soundtrack  by  Eric Clapton  and  Michael Kamen  for the British television series  Edge of Darkness .       For Clapton, it was his second experience writing for film (his first was the title music for the movie 'The Hit', recorded the previous year). TRACKLIST : Edge Of Darkness                        Shoot Out                        Obituary                        Escape From Northmoor                        Oxford Circus                        Northmoor https://www.sendspace.com/file/uzzha1 ...

       Loomis has seared his mark on multiple subgenres of metal with his distinctive rhythmic style, smooth technique and breakneck speed. As a teen, his uncommon guitar style and sharp songwriting prowess shook the music scene in his home state of Wisconsin. After being crowned the winner of a Guitar Wars competition and a battle of the bands with his first band, Fear-Tech, Loomis went on to lend his impressive talents to the Seattle-based progressive metal band Nevermore. His impressive career has produced two solo albums bursting with intricate fretwork and a spot as the current lead guitaristfor renowned Swedish death metal band, Arch Enemy. NEVERMORE Nevermore Century Media,1985 https://www.sendspace.com/file/13z8ph

  BEN SIDRAN  Free In America  (Arista,1976) - Jazz.Funk      Strongly influenced by Mose Allison, singer-songwriter and pianist Ben Sidran assembled a thrilling musical cast for his second major label debut in 1976 with, ‘Free in America’ (previously a 1971 debut on Capitol, ‘Feel your groove’, had sunk without trace). Musicians included in-house Chess label Chicagoan bassist/guitarist Phil Upchurch, Master Henry Gibson on percussion, Richard Tee on organ, while the horn section included Woody Shaw on trumpet and David ‘Fathead’ Newman on tenor saxophone.  TRACKLIST : Feel Your Groove                        After Midnight                        Sunday Kind Of Love                        Let's Make A Deal                     ...

  BETTY DAVIS  Nasty Gal  (Island,1975) - Funk       When Betty Davis released  Nasty Gal , her 1975 major-label debut for Island Records, the world wasn’t ready—not for her musical approach, which blended Black funk and “white” hard rock in an increasingly conservative, segregated recording industry; and certainly not for her hypersexual image, which managed to simultaneously run afoul of the moral majority and women’s lib, the NAACP’s respectability politics and Black Power’s prim militancy. By the end of 1976, Davis had dropped from Island’s roster, and out of the public eye altogether. TRACKLIST : Nasty Gal                          Talkin Trash                          Dedicated To The Press                          You And I         ...

  POINTER SISTERS  Having A Party  (ABC/Blue Thumb,1977) - Soul, Funk       Having a Party  is the fourth studio album by American vocal group  the Pointer Sisters , released on November 12, 1977, by Blue Thumb Records.   It consists of seven tracks blending  funk ,  sou l,  and R&B, produced by David Rubinson & Friends, Inc., and serves as the group's final release as a  quartet  before  Bonnie Pointer  departed for a solo career.       Despite its musical strengths and the group's evolving style away from earlier retro influences toward deeper  funk  grooves,  Having a Party  underperformed commercially amid label issues and internal turmoil, peaking at number 176 on the  Billboard 200  and number 51 on the Top Soul LPs chart.   Critics have since praised its  irreverent  attitude and production, viewing it as an underrated gem in the Poin...

  MICHAEL HENDERSON  Do It All  (Buddah,1979) - Funk,Soul      Michael Henderson's  Do It All  (1980) is  a highly-regarded funk/soul album. Henderson's masterful bass work, soulful vocals, and hits like "Playing On The Real Thing," offering polished dance tracks and showcasing his versatility with energetic funk and smoother grooves, though some critics found later albums less consistent.   TRACKLIST : Playing On The Real Thing                        Everybody Wants To Know Why                        To Be Loved                        Do It All                        In The Summertime                        Wait Until The Rain     ...

  KOKO TAYLOR  The Earthshaker  (Alligator,1978) - Blues       From the opening growled notes of “Let The Good Times Roll,” the listener knows that this isn’t going to be your standard 12-bar blues album. Taylor and her band (including Pinetop Perkins on keyboards) are going to make these nine tracks an absolute celebration. Taylor and crew plow through some standards like “Spoonful” and the gender-modified “I’m A Woman” (which, ironically, pairs nicely with the Muddy Waters version of the original recorded around the same time frame), and introduce a Taylor-penned original, “Please Don’t Dog Me”. If anything, the disc might have benefited with the inclusion of more originals like this one.       Standouts? Take your pick. Obviously, choosing “Let The Good Times Roll” to open the disc was a master stroke, as was closing the album with Taylor’s trademark song “Wang Dang Doodle”. But there are others that demand your attention just as much, fro...

  JACKIE AND ROY  Time & Love  (CTI, 1972) - Jazz        With the backing of a large orchestra, lush even by arranger  Don Sebesky 's standards,  Jackie  and  Roy  front an exquisitely recorded  Creed Taylor  production that mostly falls outside the idiom of jazz into a polished, jazzy, classical/easy listening plane. More to the point, the collective taste of  Taylor  and  the Krals  is incredibly rich, for they tap into a small mother lode of scintillating contemporary material that jazz people rarely touched, then or now. TRACKLIST : Day By Day                        Time & Love                        Summer Song                        Bachianas Brasileiras #5               ...

        David Bryan is a keyboard player, songwriter, and founding member of Bon Jovi. He is also a Tony Award-winning composer, lyricist and orchestrator.         Born in Edison, New Jersey, David Bryan began taking piano lessons at the age of seven. He continued this classical study with Emery Hack for thirteen years. He enrolled at Rutgers University, where he continued his musical education (and pre-med studies), preparing him for an audition at the prestigious Juilliard School of Music. When the phone rang with Jon Bon Jovi on the other end saying, “The record company just called. We have a record deal.” The choice was made and the rest is history… BON JOVI Bon Jovi Mercury,1984 https://www.sendspace.com/file/sb7eu2

  COCHISE  Swallow Tales  (Liberty,1971) - Rock, Country rock       Cochise had neither the stylistic distinction nor the top-shelf songwriting to attract wide notice, their approach encompassing a hard rocking update of  Buddy Holly 's "Love's Made a Fool of You"; original material which somewhat recalled  the Guess Who 's rootsier side; and lightweight U.S. West Coast folk-country-rock. As far as the latter style goes, "Lost Hearts," with a light early  Love  influence, is their best effort, while "Another Day" sounds a little like a cross between  Crosby, Stills & Nash  and the early  Bee Gees , as peculiar as that mixture may seem. TRACKLIST : Love's Made A Fool Of You                        Jed Collder                        Down Country Girls               ...