GUITAR WOLF...Robert Fripp

 


     Some might consider it unfair that Robert Fripp’s best-known guitar work isn’t with the band he devoted decades of his life to, King Crimson. It’s on David Bowie’s “Heroes”: The reverb-heavy leads on the title track alone are ingrained enough in the consciousness of popular music to guarantee that Fripp will never be unheard. Even if he’d just been a session legend and invented the Frippertronics tape-loop system of ambient sound creation, Fripp would have a place on this list. But, of course, he did so much more.
     Plenty of post-rock and avant-garde musical artists owe a considerable sonic debt to King Crimson or Fripp’s various collaborative efforts—particularly the haunting sounds he provided to Brian Eno on songs like “Here Come The Warm Jets” and “St. Elmo’s Fire.” His style on the essential Crimson albums isn’t much different from what he’d provide in his best-known sidework: improvisation-heavy, sharply distorted, influenced by free jazz and classical as much as blues and psychedelia. Although the riffs and leads on “21st Century Schizoid Man” are some of rock’s most iconic, Fripp had little to no interest in conventional ideas of how to use the guitar, introducing the folk crosspicking style to the rock canon and often eschewing traditional tones and time signatures for unpredictable arrangements that would baffle many guitarists attempting to emulate them.

LEAGUE OF GENTLEMEN

Thrang Thrang Gozinbulx

Discipline,1996

official bootleg live 1980

Коментари

Постави коментар

Популарни постови са овог блога

GUITAR WOLF...Joe Perry

Слика
        It’s hard to conceive a better musical foil for Steven Tyler than his longtime partner and occasional adversary. For more than 40 years, Joe Perry’s monstrous, blues-on-steroids riffs have been  Aerosmith ‘s bedrock. And his solos, jutting out from “Walk This Way” or slashing boldly through the high-gloss production of later hits like “Janie’s Got a Gun” and “Cryin’,” have a caffeinated energy that’s every bit Tyler’s match. AEROSMITH Get A Grip Geffen,1993 https://www.sendspace.com/file/rd9fbo
Прикажи све

LITTLE DRUMMER BOY...Matt Cameron

Слика
        More than any other drummer, Matt Cameron laid the rhythmic foundation for the Nineties rock revolution, reconciling proggy technicality with overwhelming force. He aptly characterized his rotary-blade rhythms on the 1991 Soundgarden track "Jesus Christ Pose" as "a pure assault of the senses," but that efficient brutality wasn't necessarily characteristic of Cameron's work with the band – his drumming on  Superunknown  is as thoughtful as it is heavy, from the fluid asymmetry of "Spoonman" to the unshakeable backbeat of "Fell on Black Days." Twenty years after its release, Dave Grohl was  still raving , "Nobody played drums like Matt." When Soundgarden suddenly disbanded in 1997, Cameron wasn't out of work for long: Pearl Jam invited him on tour the following year.  SOUNDGARDEN  Badmotorfinger A&M,1991 https://www.sendspace.com/file/uaniyr
Прикажи све

ONCE UPON A TIME.....Gravy Train

Слика
  GRAVY TRAIN  Gravy Train  (Vertigo,1970) - Progressive rock       Their debut shows Gravy Train as a brave and daring underground band, heavily influenced by and derivative of other prog/hard acts of the time, yet actually trying to push the boundaries forward. Unfortunately, since the album bombed, the guys preferred to dump all the experimentation of these songs in favour of a smoother, more commercial sound later on, which totally destroyed their idiosyncrasy and forever nailed them as second-rate good-for-nothings. TRACKLIST : The New One                          Dedication To Sid                          Coast Road                          Enterprise                          Think Of Life  ...
Прикажи све