GUITAR WOLF...George Harrison

 


     By virtue of playing in a band whose music is here, there and everywhere, George Harrison would by default be a world-best guitar everyman. But let’s not forget that his contributions to The Beatles’ blues and ballads are among their most beloved—”Something,” “Taxman,” “While My Guitar Gently Weeps”—and that it was his embrace of Eastern philosophies and instrumentation that helped transform the Fab Four from mod scoundrels to unrepentant hippies. The influences of Hare Krishna, Hinduism and transcendental meditation would be felt and heard long into his solo career. Sitar, slide guitar and the keys and progressions of Indian classical music quietly opened the eyes (and ears) of Harrison’s fans within Beatlemania and beyond it.
     Harrison would also sign on to pluck strings in sessions for his Beatles bandmates (including “Instant Karma” by John Lennon’s Plastic Ono Band), their friends (Billy Preston), contemporaries (The Rolling Stones’ Ron Wood), and inspirations (Ravi Shankar), as well as a broad list of other big names as the decades rolled on (Hall and Oates, Belinda Carlisle, Jeff Healey, Carl Perkins). And his time with The Traveling Wilburys wove a seemingly endless web of guitar parts for him and his “brothers”: Dylan, Orbison, Petty, Jeff Lynne. He held a philosophy of unending consciousness and permutations of experience; his catalog of sound is manifest evidence of that belief system. Put bluntly, George Harrison’s legacy will never die.


GEORGE HARRISON

Living In The Material World

Apple,1973

Коментари

Постави коментар

Популарни постови са овог блога

GUITAR WOLF...Joe Perry

Слика
        It’s hard to conceive a better musical foil for Steven Tyler than his longtime partner and occasional adversary. For more than 40 years, Joe Perry’s monstrous, blues-on-steroids riffs have been  Aerosmith ‘s bedrock. And his solos, jutting out from “Walk This Way” or slashing boldly through the high-gloss production of later hits like “Janie’s Got a Gun” and “Cryin’,” have a caffeinated energy that’s every bit Tyler’s match. AEROSMITH Get A Grip Geffen,1993 https://www.sendspace.com/file/rd9fbo
Прикажи све

LITTLE DRUMMER BOY...Matt Cameron

Слика
        More than any other drummer, Matt Cameron laid the rhythmic foundation for the Nineties rock revolution, reconciling proggy technicality with overwhelming force. He aptly characterized his rotary-blade rhythms on the 1991 Soundgarden track "Jesus Christ Pose" as "a pure assault of the senses," but that efficient brutality wasn't necessarily characteristic of Cameron's work with the band – his drumming on  Superunknown  is as thoughtful as it is heavy, from the fluid asymmetry of "Spoonman" to the unshakeable backbeat of "Fell on Black Days." Twenty years after its release, Dave Grohl was  still raving , "Nobody played drums like Matt." When Soundgarden suddenly disbanded in 1997, Cameron wasn't out of work for long: Pearl Jam invited him on tour the following year.  SOUNDGARDEN  Badmotorfinger A&M,1991 https://www.sendspace.com/file/uaniyr
Прикажи све

ONCE UPON A TIME.....Gravy Train

Слика
  GRAVY TRAIN  Gravy Train  (Vertigo,1970) - Progressive rock       Their debut shows Gravy Train as a brave and daring underground band, heavily influenced by and derivative of other prog/hard acts of the time, yet actually trying to push the boundaries forward. Unfortunately, since the album bombed, the guys preferred to dump all the experimentation of these songs in favour of a smoother, more commercial sound later on, which totally destroyed their idiosyncrasy and forever nailed them as second-rate good-for-nothings. TRACKLIST : The New One                          Dedication To Sid                          Coast Road                          Enterprise                          Think Of Life                          Earl Of Pocket Nook https://www.sendspace.com/file/macr6j
Прикажи све