ONCE UPON A TIME.....Do It ('Til You're Satisfied)

 

B.T. EXPRESS  Do It ('Till You're Satisfied)  (Scepter,1974) - Soul/Funk


     Do It ('Til You're Satisfied) features two million sellers by the New York natives; the title track and "Express" are funky, irresistible disco gems. Produced by Jeff Lane and mixed by Tom Moulton, the two dancefloor classics features hypnotic basslines, handclaps on alternate beats, and the coolest congas on the planet, all combined with masterfully mixed guitars, saxophones, flutes, strings, Barbara Joyce Lomas' blaring lead, Louis Risbrooks' bass vocal retorts, and Richard Thompson's support vocals. Lane was never able to repeat the tightness of the two tracks on subsequent albums or even on this one. "If I Don't Turn You On" and "Do You Like It" come close, but "Once You Get It," "Do It," "This House Is Smoking," and "Mental Telepathy" do not. Good, because of the two classics, but a greatest-hits collection would be even better.

TRACKLIST : Express
                       If It Don't Turn You On (You Oughta' Leave It Alone)
                       Once You Get It
                       Everything Good To You (Ain't Always Good To You)
                       Mental Telephaty
                       Do It ('Til You're Satisfied)
                       Do You Like It
                       Tha's What I Want For You Baby
                       This House Is Smoking

Коментари

Постави коментар

Популарни постови са овог блога

GUITAR WOLF...Joe Perry

Слика
        It’s hard to conceive a better musical foil for Steven Tyler than his longtime partner and occasional adversary. For more than 40 years, Joe Perry’s monstrous, blues-on-steroids riffs have been  Aerosmith ‘s bedrock. And his solos, jutting out from “Walk This Way” or slashing boldly through the high-gloss production of later hits like “Janie’s Got a Gun” and “Cryin’,” have a caffeinated energy that’s every bit Tyler’s match. AEROSMITH Get A Grip Geffen,1993 https://www.sendspace.com/file/rd9fbo
Прикажи све

LITTLE DRUMMER BOY...Matt Cameron

Слика
        More than any other drummer, Matt Cameron laid the rhythmic foundation for the Nineties rock revolution, reconciling proggy technicality with overwhelming force. He aptly characterized his rotary-blade rhythms on the 1991 Soundgarden track "Jesus Christ Pose" as "a pure assault of the senses," but that efficient brutality wasn't necessarily characteristic of Cameron's work with the band – his drumming on  Superunknown  is as thoughtful as it is heavy, from the fluid asymmetry of "Spoonman" to the unshakeable backbeat of "Fell on Black Days." Twenty years after its release, Dave Grohl was  still raving , "Nobody played drums like Matt." When Soundgarden suddenly disbanded in 1997, Cameron wasn't out of work for long: Pearl Jam invited him on tour the following year.  SOUNDGARDEN  Badmotorfinger A&M,1991 https://www.sendspace.com/file/uaniyr
Прикажи све

ONCE UPON A TIME.....Gravy Train

Слика
  GRAVY TRAIN  Gravy Train  (Vertigo,1970) - Progressive rock       Their debut shows Gravy Train as a brave and daring underground band, heavily influenced by and derivative of other prog/hard acts of the time, yet actually trying to push the boundaries forward. Unfortunately, since the album bombed, the guys preferred to dump all the experimentation of these songs in favour of a smoother, more commercial sound later on, which totally destroyed their idiosyncrasy and forever nailed them as second-rate good-for-nothings. TRACKLIST : The New One                          Dedication To Sid                          Coast Road                          Enterprise                          Think Of Life  ...
Прикажи све