BASS CULTURE.....Louis Johnson

 


     Born in 1955, Johnson appeared on the Los Angeles music scene as a professional bass player in the 1970s. Alongside his brother George, the two played with both Bobby Womack and the Supremes before joining Billy Preston’s band in 1972. After working with Preston on Music In My Life and The Kids and Me, the two left the band and ended up working with producer Quincy Jones on his project, Mellow Madness. This led to a unique partnership with Jones, as he started producing The Brothers Johnson’s records, beginning with Look Out for #1. The following Brother’s Johnson releases, Right On Time, Blam!!, and Light Up The Night, all faired well on the Billboard charts and featured funk and disco grooves with a heavy emphasis on Louis’ slap style bass playing.
     In addition to working with the Brothers Johnson, Louis was an in – demand LA session player from the mid 1970s through the late 80s. Quincy Jones enlisted him to play on Michael Jackson’s records where he laid down the groove for “Billie Jean,” among other songs on Thriller and Off The Wall. Johnson also worked with Herbie Hancock, Bill Withers, Grover Washington, Jr., Lee Ritenour, Herb Alpert, Aretha Franklin, George Benson, Michael McDonald, and fellow bass funk master, Stanley Clarke. He released a few solo records (though they didn’t catch on with the masses) and was an early promoter of Leo Fender’s Music Man Stingray bass.

BROTHERS JOHNSON

Look Out For Number 1

A&M,1976


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