LITTLE DRUMMER BOY...Neil Peart

 


     When Neil Peart auditioned for Rush in 1974, his bandmates heard in him a chance to embrace their die-hard Who fandom.  Ironically, Peart's great contribution to rock drumming would turn out to be the exact aesthetic opposite of Moon's: the most precise and meticulously plotted percussion that the genre has ever seen.As Rush's high-prog ambitions flowered in the mid-to-late '70s, Peart revealed himself as both an obsessive craftsman and wildly ambitious artiste – traits that also surfaced in his fantastical lyrics – using esoteric implements such as orchestra bells, temple blocks and timpani to flesh out his baroque parts for songs such as "Xanadu" and "The Trees." As the band's music streamlined in the Eighties, through transitional masterpieces such as Moving Pictures and on to a more pop-oriented sound, so did Peart's playing; he began tastefully incorporating electronic percussion and looking to mainstream innovators such as Stewart Copeland for inspiration. Rush's recent work, such as 2012's Clockwork Angels, features some of Peart's best work on record: a stunning unity of brains and brawn. Meanwhile, despite his recent retirement from touring, Peart remains perhaps the most revered – and air-drummed-to – live sticksman in all of rock, famous as the architect of literally showstopping set-piece solos.

RUSH

Clockwork Angels

Roadrunner,2012


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