GUITAR WOLF...Buddy Guy

 


      Though Buddy Guy will forever be associated with Chicago, his story actually begins in Louisiana. Buddy was just seven years old when he fashioned his first makeshift “guitar”—a two-string contraption attached to a piece of wood and secured with his mother’s hairpins.
     In 1957, he took his guitar to Chicago, where he would permanently alter the direction of the instrument, first on numerous sessions for Chess Records playing alongside Howlin’ Wolf, Muddy Waters, and the rest of the label’s legendary roster, and then on recordings of his own. His incendiary style left its mark on guitarists from Jimmy Page to John Mayer.


Left My Blues In San Francisco

Chess,1967


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GUITAR WOLF...Joe Perry

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        It’s hard to conceive a better musical foil for Steven Tyler than his longtime partner and occasional adversary. For more than 40 years, Joe Perry’s monstrous, blues-on-steroids riffs have been  Aerosmith ‘s bedrock. And his solos, jutting out from “Walk This Way” or slashing boldly through the high-gloss production of later hits like “Janie’s Got a Gun” and “Cryin’,” have a caffeinated energy that’s every bit Tyler’s match. AEROSMITH Get A Grip Geffen,1993 https://www.sendspace.com/file/rd9fbo
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LITTLE DRUMMER BOY...Matt Cameron

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        More than any other drummer, Matt Cameron laid the rhythmic foundation for the Nineties rock revolution, reconciling proggy technicality with overwhelming force. He aptly characterized his rotary-blade rhythms on the 1991 Soundgarden track "Jesus Christ Pose" as "a pure assault of the senses," but that efficient brutality wasn't necessarily characteristic of Cameron's work with the band – his drumming on  Superunknown  is as thoughtful as it is heavy, from the fluid asymmetry of "Spoonman" to the unshakeable backbeat of "Fell on Black Days." Twenty years after its release, Dave Grohl was  still raving , "Nobody played drums like Matt." When Soundgarden suddenly disbanded in 1997, Cameron wasn't out of work for long: Pearl Jam invited him on tour the following year.  SOUNDGARDEN  Badmotorfinger A&M,1991 https://www.sendspace.com/file/uaniyr
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ONCE UPON A TIME.....Still

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  PETE SINFIELD  Still  (Manticore,1973) - Progressive rock       The name Pete Sinfield may not mean much to the casual prog observer but to aficionados his identity will always be linked to  King Crimson . As the band’s lyricist and, to a degree,  Robert Fripp ’s artistic muse, Sinfield contributed the lyrics to the first four Crimson albums.        For reasons unknown, the firm of Fripp and Sinfield ceased trading circa 1971 but, rather cunningly, former KC bassist  Greg Lake , perhaps sensing a lack of lyrical gravitas, created a similar role for him in the world-conquering  ELP .       Still , Sinfield’s first and only solo album was unveiled to the public in May 1973 and was quickly sidestepped by all but a very few discerning members of the progressive rock-buying public.  TRACKLIST : The Song Of The Sea Goat                          Under The Sky                          Will It Be You                          Wholefood Boogie                          Still                    
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