LITTLE DRUMMER BOY...Neil Peart

 


     When Neil Peart auditioned for Rush in 1974, his bandmates heard in him a chance to embrace their die-hard Who fandom.  Ironically, Peart's great contribution to rock drumming would turn out to be the exact aesthetic opposite of Moon's: the most precise and meticulously plotted percussion that the genre has ever seen.As Rush's high-prog ambitions flowered in the mid-to-late '70s, Peart revealed himself as both an obsessive craftsman and wildly ambitious artiste – traits that also surfaced in his fantastical lyrics – using esoteric implements such as orchestra bells, temple blocks and timpani to flesh out his baroque parts for songs such as "Xanadu" and "The Trees." As the band's music streamlined in the Eighties, through transitional masterpieces such as Moving Pictures and on to a more pop-oriented sound, so did Peart's playing; he began tastefully incorporating electronic percussion and looking to mainstream innovators such as Stewart Copeland for inspiration. Rush's recent work, such as 2012's Clockwork Angels, features some of Peart's best work on record: a stunning unity of brains and brawn. Meanwhile, despite his recent retirement from touring, Peart remains perhaps the most revered – and air-drummed-to – live sticksman in all of rock, famous as the architect of literally showstopping set-piece solos.

RUSH

Clockwork Angels

Roadrunner,2012


Коментари

Постави коментар

Популарни постови са овог блога

GUITAR WOLF...Joe Perry

Слика
        It’s hard to conceive a better musical foil for Steven Tyler than his longtime partner and occasional adversary. For more than 40 years, Joe Perry’s monstrous, blues-on-steroids riffs have been  Aerosmith ‘s bedrock. And his solos, jutting out from “Walk This Way” or slashing boldly through the high-gloss production of later hits like “Janie’s Got a Gun” and “Cryin’,” have a caffeinated energy that’s every bit Tyler’s match. AEROSMITH Get A Grip Geffen,1993 https://www.sendspace.com/file/rd9fbo
Прикажи све

LITTLE DRUMMER BOY...Matt Cameron

Слика
        More than any other drummer, Matt Cameron laid the rhythmic foundation for the Nineties rock revolution, reconciling proggy technicality with overwhelming force. He aptly characterized his rotary-blade rhythms on the 1991 Soundgarden track "Jesus Christ Pose" as "a pure assault of the senses," but that efficient brutality wasn't necessarily characteristic of Cameron's work with the band – his drumming on  Superunknown  is as thoughtful as it is heavy, from the fluid asymmetry of "Spoonman" to the unshakeable backbeat of "Fell on Black Days." Twenty years after its release, Dave Grohl was  still raving , "Nobody played drums like Matt." When Soundgarden suddenly disbanded in 1997, Cameron wasn't out of work for long: Pearl Jam invited him on tour the following year.  SOUNDGARDEN  Badmotorfinger A&M,1991 https://www.sendspace.com/file/uaniyr
Прикажи све

ONCE UPON A TIME.....Still

Слика
  PETE SINFIELD  Still  (Manticore,1973) - Progressive rock       The name Pete Sinfield may not mean much to the casual prog observer but to aficionados his identity will always be linked to  King Crimson . As the band’s lyricist and, to a degree,  Robert Fripp ’s artistic muse, Sinfield contributed the lyrics to the first four Crimson albums.        For reasons unknown, the firm of Fripp and Sinfield ceased trading circa 1971 but, rather cunningly, former KC bassist  Greg Lake , perhaps sensing a lack of lyrical gravitas, created a similar role for him in the world-conquering  ELP .       Still , Sinfield’s first and only solo album was unveiled to the public in May 1973 and was quickly sidestepped by all but a very few discerning members of the progressive rock-buying public.  TRACKLIST : The Song Of The Sea Goat                          Under The Sky                          Will It Be You                          Wholefood Boogie                          Still                    
Прикажи све