GUITAR WOLF...Neil Young

 


     Because his wheedling vocals make him never your first choice for a singer, it’s really Young’s guitar playing and arrangements that define his career. He cycles through sounds and players with ease, almost at will—an oldies mainstay with Buffalo Springfield and Crosby Stills Nash & Young, a fan of the squeals of psychedelia, metal and grunge with Crazy Horse, and owning his versatile solo output without apology. This is a man whose individualist principles led him to fuck with the Geffen and Reprise labels through the 1980s, releasing an album focusing on synths instead of guitars (Trans) and then delving into rockabilly (Everybody’s Rockin’), country (Old Ways), and blues (This Note’s for You), before the rejuvenating diptych of Freedom in 1989 and Ragged Glory in 1990. It’s a microcosm of almost 50 years littered with milestones ranging from “Cinnamon Girl” to “Rockin’ in the Free World” to “Who’s Gonna Stand Up?”


NEIL YOUNG + CRAZY HORSE

Ragged Glory

Reprise,1990


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GUITAR WOLF...Joe Perry

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LITTLE DRUMMER BOY...Matt Cameron

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        More than any other drummer, Matt Cameron laid the rhythmic foundation for the Nineties rock revolution, reconciling proggy technicality with overwhelming force. He aptly characterized his rotary-blade rhythms on the 1991 Soundgarden track "Jesus Christ Pose" as "a pure assault of the senses," but that efficient brutality wasn't necessarily characteristic of Cameron's work with the band – his drumming on  Superunknown  is as thoughtful as it is heavy, from the fluid asymmetry of "Spoonman" to the unshakeable backbeat of "Fell on Black Days." Twenty years after its release, Dave Grohl was  still raving , "Nobody played drums like Matt." When Soundgarden suddenly disbanded in 1997, Cameron wasn't out of work for long: Pearl Jam invited him on tour the following year.  SOUNDGARDEN  Badmotorfinger A&M,1991 https://www.sendspace.com/file/uaniyr
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ONCE UPON A TIME.....Still

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  PETE SINFIELD  Still  (Manticore,1973) - Progressive rock       The name Pete Sinfield may not mean much to the casual prog observer but to aficionados his identity will always be linked to  King Crimson . As the band’s lyricist and, to a degree,  Robert Fripp ’s artistic muse, Sinfield contributed the lyrics to the first four Crimson albums.        For reasons unknown, the firm of Fripp and Sinfield ceased trading circa 1971 but, rather cunningly, former KC bassist  Greg Lake , perhaps sensing a lack of lyrical gravitas, created a similar role for him in the world-conquering  ELP .       Still , Sinfield’s first and only solo album was unveiled to the public in May 1973 and was quickly sidestepped by all but a very few discerning members of the progressive rock-buying public.  TRACKLIST : The Song Of The Sea Goat                          Under The Sky                          Will It Be You                          Wholefood Boogie                          Still                    
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