BASS CULTURE...Pino Palladino

 


     Pino began by putting fretless on the pop-music map with a Jaco-like presence, via soaring Music Man-issued sub-hooks on hits by Paul Young, Don Henley, and many others. 
     Moving to a flatwound-strung Fender Precision and a fingerstyle technique rife with thumb-plucks, he connected with D’Angelo and sat way back in the pocket, setting the standard for neo-soul and hip-hop bottom. With calls from the Who, John Mayer, Paul Simon, and Nine Inch Nails, he has since elevated rock and singer/songwriter bass, as well.

The LAW The Law  (Atlantic,1991)

with Paul Rodgers and Kenny Jones



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